Forget it Jake.

I’m trying to remember where I am.

For a long time I was struggling to get life basics sorted.

Then I did it. And then I realised I was trying to get above water for so long that I forgot who I am and where I’m going.

I remember loving art. Not in a pretentious shall-we-critique-this kind of way, but in a looking-at-this-makes-my soul-sing way. I used to spend most of my teenage years watching films – critically acclaimed films, predictable romcoms, European dramas, explosions-upon-explosions, I loved them all. I didn’t love them all, but I rarely felt that experiencing a film was a waste of my time. As time passed and I grew up, most of my time was going towards making ends meet and building up a foundation for a life I could enjoy, which means I had less and less time for films until I forgot I loved them altogether.

And then I did it – I made it to safety –, and realised I’m missing something important.

I’m missing me.

I was trying to remember what I want from life, but really, not what I’m supposed to want from life, or what I’ve told people I want from life. Who am I? What do I like? What do I want? What do I want to be like.

This blog is me trying to remember.

What’s a better way of remembering who you are than by doing something you did back when you didn’t have to do anything, be anything, want anything?


THREE COLOURS: BLUE (Krzysztof Kieślowski, 1993)

Before watching I’ve always wanted to see the Three Colours trilogy, and I’m sure originally I knew what it was about. Now, with so many years passed, I have no clue what I’m about to see, and that’s my favourite way of going into a film – with no expectations plot-wise. After watching This was…

CUSTODY (Xavier Legrand, 2017)

Before watching I have pretty good expectations, based on very few things: Don’t know the director. Love French films. Love a good family drama. Let’s go. After watching I’m sorry, this needs to be seen, not written about. It’s not an I’ve-learnt-a-lesson kind of film. It’s the kind of film that reminds you of the…

TRANSAMERICA (Duncan Tucker, 2005)

Before watching I was pretty keen to either avoid this film, or watch it, but not write about it. The reason I didn’t want to write about it is because I find it hard to express myself regarding trans-issues using words that won’t offend people from trans-community. In my heart, I don’t have anything against…